Jazz
([Jes]) is a genre of music that originated in the United States early
in the 20th century with the roots of African and European music.Use a lot of jazz guitar, trombone, piano, trumpet, and saxophone. An important element in jazz is the blue notes, improvisation, polyrhythms, syncopation, and shuffle notes.Table of contents
1 Definitions
2 used musical instruments
3 famous jazz musician
3.1 Indonesia
4 See also
5 External links
Definition
Jazz can be very difficult to define because it spans from Ragtime waltzes to the fusion era of the 2000s. Although
many attempts have been made to define jazz from the perspective of
outside jazz, such as using European music history or African music,
jazz critic Joachim Berendt argues that all such attempts are not
satisfactory. One way to get around the problem is to define the definition of jazz "term" wider. Berendt
defines jazz as a form of "art music which originated in the United
States through the confrontation of blacks with European music", he
argues that jazz differs from European music in that jazz has a "special
relationship to time, defined as 'swing'", " a
spontaneity and vitality of musical production in which improvisation
plays a role ", and" sonority and manner expressions that mirror the
individuality of jazz musicians do ".Travis
Jackson has also proposed a broader definition of jazz is capable of
covering all radically different eras: he states it is music that
includes qualities such as "swinging", improvising, group interaction,
developing an 'individual voice, and being' open 'to different
musical possibilities Krin Gabbard claims that "jazz is a construct" or
category that, while artificial, still is useful to designate "a number
of musics with enough general to be understood as part of a coherent
tradition".While jazz may be difficult to define, improvisation is clearly one of the key elements. Early
blues are generally structured around a pattern of call-and-response is
repeated, a common element in the African American oral tradition. A
form of folk music which rose in part from work songs and field hollers
Black rustic, early blues was also highly improvisational. These features are fundamental to the nature of jazz.in
elements of European classical music interpretation, ornamentation and
accompaniment are sometimes left to the discretion of the achievement,
the ultimate goal is the player plays as written composition.In
jazz, however, expert players will interpret a song with a very
individual ways, never playing the same composition exactly the same way
twice. Depending
on the mood of players and personal experience, interactions with
fellow musicians, or even members of the audience, a jazz musician /
performer may alter melodies, harmonies or time signature at will. European classical music has been said to media composer. Jazz,
however, is often characterized as the product of egalitarian
creativity, interaction and collaboration, placing equal value on the
contributions of composer and performer, 'agile weight [ing] the
respective claims of the composer and improvisation'.In New Orleans and Dixieland jazz, performers took turns playing the melody, while others improvised countermelodies. With
the era of swing, big band come to rely more on arranged music:
arrangements either written or learned by ear and memorized - many early
jazz performers could not read music. Individual soloists would improvise within these arrangements. Later,
in bebop the focus shifted towards small groups and minimal
arrangements; melody (known as the "head") would be stated briefly at
the start and end of the piece, but the core of the performance would be
the series of improvisations in the middle. Then
jazz styles such as jazz up the idea of stricter capital chords
progress, which allows individual musicians to improvise even more
freely within the context of a given scale or mode. avant-garde and free jazz idioms permit, even call, leaving the chords, scales, and rhythmic meters.There have long been debates in the jazz community over the definition and boundaries of "jazz". Although
alteration or transformation of jazz by new influences has often been
criticized as originally debasement "," Andrew Gilbert found that jazz
has the "ability to absorb and transform influences" from diverse
musical styles. While
some fans of certain types of jazz argued for a narrow definition that
excludes many types of music also known as "jazz," jazz musicians
themselves are often reluctant to define the music they play. Duke Ellington concluded by saying, "It's all music." Some critics have even stated that Ellington music was not jazz because it set up and manage. At
a friend the other hand Ellington twenty solo Earl Hines's
"transformative versions" of composition Ellington (on Earl Hines Plays
Duke Ellington recorded in 1970) were described by Ben Ratliff, New York
Times critic jazz, such as "as a good example of the process of jazz as
something out there ".Commercially
oriented or popular music-influenced forms of jazz have both long been
criticized, at least since the emergence of Bop. Traditional
jazz enthusiasts have dismissed Bop, the 1970s jazz [fusion era and
much else] as a period of decline in the commercial value of music. According
to Bruce Johnson, jazz music has always had tension "between jazz as a
commercial music and an art form" notes Gilbert's. As
the idea of the canon of jazz is developing, the "achievements of the
past" may become "... privileged over special creativity ..." and innovative artists at Village Voice. jazz
critic Gary Giddins argues that as the creation and dissemination of
jazz increasingly institutionalized and dominated by major entertainment
firms, jazz is facing a "... perilous future of respectability and
acceptance attracted" David Ake. warned
that the creation of "norms" in jazz and the establishment of the jazz
tradition "" may exclude or sideline other newer, avant-garde forms of
jazz. Controversy
also emerged over new forms of contemporary jazz created outside the
United States and departs significantly from American styles in one view
they are an important part of jazz's current development;. in others they are sometimes criticized as a rejection of vital jazz traditions.The origins of the word jazz is one of the most sought-after word origins in modern American English. The
word's intrinsic interest - the American Dialect Society named it says
Century Twenty - has resulted in considerable research, and its history
is well documented. As
described in more detail below, jazz began as a West Coast slang term
around 1912, which means that varied but did not refer to music or sex. Jazz came to mean jazz music in Chicago around 1915. Jazz played in New Orleans prior to that time, but was not called jazz.Jazz said made one of the earliest appearances in San Francisco baseball writing in 1913. "Jazz
was introduced to San Francisco in 1913 by William (Spike) Slattery,
sports editor of Call, and propagated by a band-leader named Art Hickman
was achieved. Chicago by 1915 but was not heard of in New York until a
year later." One uses the known The first of the word jazz appeared on March 3, 1913, baseball article in the San Francisco Bulletin by ET "Scoop" Gleeson.The origins of the word jazz is one of the most sought-after word origins in modern American English. The
word's intrinsic interest - the American Dialect Society named it says
Century Twenty - has resulted in considerable research, and its history
is well documented. As
described in more detail below, jazz began as a West Coast slang term
around 1912, which means that varied but did not refer to music or sex. Jazz came to mean jazz music in Chicago around 1915. Jazz played in New Orleans prior to that time, but was not called jazz.Jazz said made one of the earliest appearances in San Francisco baseball writing in 1913. "Jazz
was introduced to San Francisco in 1913 by William (Spike) Slattery,
sports editor of Call, and propagated by a band-leader named Art Hickman
was achieved. Chicago by 1915 but was not heard of in New York until a
year later." One uses the known The first of the word jazz appeared on March 3, 1913, baseball article in the San Francisco Bulletin by ET "Scoop" Gleeson.
Instruments used
Guitar
Bass guitar
Piano
Saxophone
Trumpet
Trombone
Violin
Drum
Renowned jazz musician
Louis Armstrong, (1901-1971)
Duke Ellington, (1899-1974)
Charlie Parker, (1920-1955)
Dizzy Gillespie (1917-1993)
Miles Davis (1926-1991)
John Coltrane (1926-1967)
Chick Corea
Ornette Coleman, (born 1930)
Chris Botti
Dave Koz
Bob James
Lee Ritenour
Kenneth Bruce Gorelick / Kenny G, (born 1956)
Jamie Cullum
Indonesia
Group of jazz on the road in Aceh (1950-1960)
Ireng Maulana
Buby Chen
Jack Lesmana
Anna Larssen
Bill Saragih
Benny Likumahua
Bing Slamet
Ember
Ermy Kullit
Maulana Kiboud
Dwiki Dharmawan
Indra
Binot Halamutu
Elfa Secioria
Iskandarsyah Siregar
Luluk Purwanto
Joko W.H.
Balawan
Syaharani
Didi Tjia
Aji Kikuta
Priyahadi Dharma Kusuma
Tompi
Barry Likumahua
Dionysius the Great Subagyo
See also
Jakarta International Java Jazz Festival
JakJazz
Big band
Jazz Goes to Campus
Kamis, 20 September 2012
Langganan:
Posting Komentar (Atom)
Tidak ada komentar:
Posting Komentar